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A #1 Wall Street Journal bestseller.

From New York Times bestselling author Patricia Cornwell comes Ripper: The Secret Life of Walter Sickert, a comprehensive and intriguing expos� of one of the world’s most chilling cases of serial murder—and the police force that failed to solve it.

Vain and charismatic Walter Sickert made a name for himself as a painter in Victorian London. But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.

Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

Note: This book contains images that some readers may find disturbing.

• Sales Rank: #1434 in eBooks
• Published on: 2017-02-28
• Released on: 2017-02-28
• Format: Kindle eBook

Review

An Amazon Best Book of the Month: History

“A groundbreaking revisitation of one of history’s most notorious and hotly debated unsolved mysteries. Patricia Cornwell’s knowledge of criminology and forensics is near unrivaled, and her passionate and informed narration—told with unwavering conviction—may just tip the scales of justice once and for all.” —Criminal Element

“A highly readable expos� of perhaps the world’s most famously chilling case of serial murder; the vain efforts of the police to solve the crimes; and the compelling revelations [Patricia’s] exhaustive research has unearthed.” —The Huffington Post

About the Author

Patricia Cornwell was born in Florida and raised in North Carolina. She sold her first novel, Postmortem, while working as a computer analyst at the Office of the Chief Medical Examiner in Richmond, Virginia. Postmortem was her first bona fide forensic thriller, and it would go on to win the Edgar, Creasey, Anthony and Macavity awards as well as the French Prix du roman d’aventures. Since then, she’s authored twenty-nine New York Times bestsellers and won the Sherlock Award, the Gold Dagger Award, the RBA Thriller Award and the Medal of Chevalier of the Order of Arts and Letters for her contributions to literary and artistic development.

To date, Cornwell’s books have sold over 100 million copies in 36 languages in over 120 countries. She now lives in Boston, where she tirelessly researches advanced forensic techniques to include in her work.

Most helpful customer reviews

207 of 224 people found the following review helpful.
Sickert may have been odd -- but was he really Jack-the-Ripper?
By Librarian
Cornwell here restates her assertion (as previously presented in her PORTRAIT OF A KILLER and CHASING THE RIPPER) that Walter Sickert, a famous painter, was also the infamous Jack-the-Ripper. While she succeeds in demonstrating that Sickert was eccentric (but which truly great artist isn't to some extent?) she does NOT succeed in proving -- at least to MY satisfaction -- that he was a murderer let alone that he was the Ripper. Yes, there is typical (and quite interesting, though questionable) Cornwellian forensic "evidence" presented, but even that cannot overcome other factors that would tend to preclude him as a viable suspect.

I have read numerous other books about the Ripper murders over a long lifetime, more than a few of which claimed to identify the "real" Jack; some of them actually made compelling arguments for their (different) candidates. Rather recently, Russell Edwards in NAMING JACK THE RIPPER used forensic DNA evidence to support HIS candidate; I distrust his overall methodology but tend to be more inclined to believe his choice of perpetrator (someone not infrequently identified by others as well). But being "more inclined" doesn't mean I am in any way fully convinced.

Cornwell's book, while it was fascinating to read, also left me unconvinced. Of course, YOU might decide otherwise, so give the book a try and make up your own mind. After all, it IS well-written, and whether she's right or wrong, or whether you agree with her or not, it's still an intriguing case to read about, ponder, and discuss. In so doing, you may also choose to read a more encyclopedic work (such as THE COMPLETE JACK THE RIPPER by Donald Rumbelow), one that provides objective, impartial information about ALL the possible Ripper suspects; you may be surprised at how your initial predilection for any one candidate (whether Sickert or someone else) might, ultimately, be swayed by examining other strong contenders.

ADDENDUM: If you are concerned about whether or not this book is worth purchasing in light of Cornwell's previous ones on the very same subject, remember this: If you purchase this as an ebook from the Kindle Store, read it within 7 days, and decide it is not to your liking FOR ANY REASON, simply call Amazon customer support at 1-866-321-8851 (toll free) to return/remove it for a FULL REFUND. That way you cannot consider yourself gypped if you decide this was a less-than-honest effort to merely sell another book. BUT YOU MUST DO THIS WITHIN 7 DAYS OF PURCHASE. (I think you will be pleased enough by this book to keep it.)

26 of 27 people found the following review helpful.
Entertaining but probably not in the way she intended.
By Angela
Cornwell's work on the Ripper is entertaining - not in the manner of a master detective putting the pieces together. More in the manner of an eccentric aunt who comes to family get-togethers once every few years and, after drinking a few glasses of wine, will tell you exactly who killed Kennedy and why with the authority of someone who was there even though she wasn't born at the time.
Cornwell's entire case is subjective and her facts are mostly insinuation.
In fact, her book should be taught in classrooms as a classic example of how to create propaganda. She conflates Sickert and the Ripper constantly - not even separating the two in the most basic sense of the persona of the Ripper vs the persona of Sickert. Often she'll use the name Sickert when referring to the Rippers actions and call Sickert the Ripper when referring to Sickert's known actions. It was a little confusing at times.
Facts about Sickert are placed next to possible activities of the Ripper - one example that made me laugh out loud is a bloody bakers knife that might have been from a Ripper crime next to "Sickert loved to bake". That sounds like evidence to me. Jeez.
Its hard to say how she came to her conclusions about Sickert's inner life and relationships. Quotes about him are usually completely decontextualized - in one section a whole sentence is made out of multiple one or two word quotes. She does have a good explanation as to why she doesn't quote more extensively (the people who control these sources wouldn't give permission). I'd be more inclined to believe her version of these stories but her whole perspective of Sickert seems to be colored by the intense emotional response she had to his paintings. I looked at many of the paintings she references and I have to say I do NOT see what she sees.
Suddenly everything is evidence of guilt, even stuff that was common (Sickert was intrigued by the Ripper, snubbed Oscar Wilde after his imprisonment and owned a red kerchief) and a few things that contradicted. Sickert didn't regularly date or mark location on his letters. SNEAKY. Sickert regularly made dated drawings that showed exactly where he was. Oh slipped up! He could have been near some Ripper killings. Sickert was a germophobe. Ripper probably killed in a manner that would make it easier to avoid bodily fluids. Ripper wrapped body parts in newspaper. Sickert wrapped paintings in newspaper. Sickert had multiple art studios. No one knew their locations so now they're bolt holes. Maybe they're near the murders? Who knows? Sounds incriminating to me. Ripper might have worn disguises. Sickert had a habit of wearing disguises. I mean, really?
Supposedly she showed her evidence to an officer who said she had enough for a search warrant. I'd like to know what evidence that was, because I see no evidence.
There are a few interesting points she makes. Its probable that Sickert (or someone close to him) wrote a couple of "Ripper letters". This isn't really surprising - based on what I've read about the time period Ripper letters were the Twitter parody accounts of the time. I've read at least one contemporary account (that unfortunately I don't remember the source for) that casually mentioned a relative who wrote Ripper letters and then watched for them in the papers. Its only significant because Cornwell has decided that most of the Ripper letters are "real". Her evidence? A handwriting expert that determined that most of the letters were written by the same person imitating different hands. Bizarrely in the book she actually points out at some length that handwriting isn't a science but still uses this determination as authorative. She doesn't appear to worry about or discuss any letters that she can't directly examine except for the From Hell letter (which is the most likely to be "legitimate" due to the included kidney).
It does appear there were more Ripper killings that commonly acknowledged though I don't agree with all of the killings she places under that umbrella (usually due to the killings closeness to where Sickert might have been) and it does seem likely that some of the Ripper letters might have been written by other killers who were either copycats or triggered into fulfilling murderous desires after reading the detailed newspaper accounts. But her conclusions that all of them are legitimate is a stretch.
There's also a strange undercurrent of anti-intellectualism. She lists off the many languages Sickert knew as if they were evidence. She claims very basic rhymes in Ripper letters are "too clever for an illiterate." Whenever she hits an investigative dead end she treats it like a purposeful act of the Ripper - as if he predicted her investigation and the kind of technology we'd have today.
Cornwell appears to dislike Sickert intensely. I'm sure she would crisply say that she dislikes Sickert because she dislikes murderers. She handwaves away all arguments against her beliefs as people defending Sickert for their own reasons. I've heard some cynical views of why she's so intense on this issue (she did buy a lot of Sickert art and memorabilia before publishing her first book) - I tend to think she's a true believer.
I'm not going to say Sickert was an angel - if her account is to be believed (and I'm not sure it is) it sounds like Sickert was a deeply unpleasant man who had his share of secrets. I suppose this book doesn't DISPROVE anything and Sickert has been linked to the Ripper murders before. But men have been cold to their wives, told wild third hand tales about famous murderers, and had strange habits without being murderers throughout human history. Even her most compelling evidence requires accepting a lot of assumptions.
Anyway this is an entertaining book - even a thought provoking one. If you enjoy conspiracy theories as thought experiments this might be up your alley.

25 of 27 people found the following review helpful.
Sorry I Bought It
By GAF64
I have never seen so many "what if's", "Possiblys" and "Could haves" in a book. I like Patricial Cornwell very much but I just couldn't get into the speculation.

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